The Ten Greatest Directors Part 4

File photo of director Woody Allen  on the set of "The Bop Decameron" in downtown Rome
Welcome to part 4 of our series on The Ten Greatest Directors.

We started with a list of 45 directors and each day until our anniversary have remove five directors from with an explanation as to why we cut them. The next post in the last one, with 15 directors left.

Let us know which ones you think should stay, and which should go — and maybe some directors  you thought should have been in the mix that weren’t.

Woody Allen
I’m a big fan but Woody Allen is more of a brilliant writer than a director. That doesn’t mean he isn’t great but he’s not one of the ten best ever.

Oliver Stone
Has some amazing work (Platoon, JFK, and Born on the 4th of July) but he’s also made some legendary stinkers, like Alexander, Any Given Sunday, and U-Turn.

Yasujiro Ozu
A legend who’s films get better with age but outside of Late Spring and Tokyo Story, the rest are merely average to good. This one hurt to drop.

Milos Forman
Had three amazing films — One Flew over the Cuckoos’ Nest, Amadeus, and The People vs Larry Flynt — but his work filmography is short and there’s not much outside those three films. I also contend his work didn’t revolutionize films the way the rest of the directors on the list did.

Christopher Nolan
I think in 10-15 years he may end up in the top 10. But, he hasn’t built up enough of a resume yet to be considered one of the 10 best ever.


Ridley Scott
Thelma & Louise, Gladiator, Matchstick Men, and of course, Blade Runner, are all excellent pieces of work. He’s a great director, but when you get right down to it, there are directors left with far greater films.

Sergio Leone
Not a lot of people may realize this, but he only directed 13 films — five of which were uncredited. A Fistful of Dollars is arguably the best western ever made, as is Once Upon a Time in the West. He’s the king of spaghettis westerns, but it’s not enough to be named one of the ten best ever.

Joel and Ethan Coen
Fargo, True Grit, No Country for Old Men, The Man Who Wasn’t There and The Big Lebowski are just a few of their excellent films. They have such a strong case, but I think they’re just on the periphery. Talk to me in a few years.

Paul Thomas Anderson
The Master, There Will Be Blood, Magnolia and Boogie Nights are all great films, but he has a very small body of work. I think he’ll be considered the best of his generation when he’s done, and maybe one of the best ever. But today, he’s not.

David Lynch
Mulholland Drive is one of the best films of the past 25 years, Eraserhead is an intriguing film with lasting power, and the Elephant Man is a masterpiece. At this point, we’re not cutting directors with ease. This one stings.

Directors Remaining
Quentin Tarantino
Charlie Chaplin
Billy Wilder
Fritz Lang
Terrence Malick
Robert Altman
Ingmar Bergman
Federico Fellini
Martin Scorsese
John Huston
Stanley Kubrick
Jean-Luc Godard
Alfred Hitchcock
Akira Kirosawa
John Ford

7 responses to “The Ten Greatest Directors Part 4

  1. I feel the need to weigh in … drop Fellini, Malick, Altman, Lang and Chaplin. Also, drop Godard and add back Lynch.

    • What’s up T! Good to hear from you!

      I totally agree with you on Bergman. I should have cut him and kept the Coens. It was tough. Also, Brian has a Bergan boner, so it was hard to shake him. Keep an eye out Sunday. We’ll have the final 10 then!

  2. Also — drop Bergman for the Coens. Movies have improved, and so have the directors. The Coens’ films jolt me into life; they don’t make me fall into dreamland like Bergman’s.

  3. Both my comments, BTW. Some weird sign-in weirdness.

  4. I have enjoyed reading the past several posts; I would have initially included director Ken Russell if I were involved with constructing the first post where all the directors were listed before the eliminations began. Granted, I am a big fan of his, and based upon a number of the powerhouse film makers that are still left on the list, I am under no illusion that he would have made it into the top ten, however, I certainly think that he deserved to at least be listed and have his directorial merits discussed.

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