Tag Archives: Barbara Hershey


After moving into a new home, Josh (Patrick Wilson) and his wife Renai (Rose Byrne) confront terrifying tribulations when their son Dalton (Ty Simpkins) falls into a coma and his body starts to attract malevolent forces from a mysterious netherworld. But when the family decides to move again, hoping to leave the evil spirits behind, they realize that their problems are just beginning. James Wan (Saw) directs.

Rating: 5 out of 10

The first hour of this movie was outstanding. One of the best horror films to come out in years. It had me jumping and nervous, and was a great date night movie that was intriguing, smart, well-paced with great performances and sharp direction.

The last act of the movie, however, took a huge nosedive. We are given the impression that a demon is after a little boy’s soul. We get narrow glimpses of him throughout the movie but never see him. It’s the Alfred Hitchcock theory that what the audience doesn’t see is what scares them the most. And it’s true.

In the last act, however, we get so much over-the-top demon, it just gets downright silly. It really stopped my viewing pleasure and made the whole thing seem silly. The ending is strong, and has a nice twist, but I was disinterested by the time it got there. It’s a shame, because this movie was so close to being amazing. Hard to say it’s anything better than average, though.

Black Swan

In director Darren Aronofsky’s psychological thriller, ambitious New York City ballet dancer Nina Sayers (Natalie Portman) lands the lead role in “Swan Lake” but soon thinks her dreams of stardom are threatened by a rival ballerina (Mila Kunis). As opening night approaches and the pressure to be perfect builds, Nina’s obsession descends into paranoia and delusion. The film earned Golden Globe nods for Portman, Kunis, Aronofsky and Best Picture.

Rating: 10 out of 10

Since “Inception” hit theaters, I’ve been waiting for the movie that will beat it for best picture. We all know the Academy would never give a science fiction film best picture, and this is the one to do it. But I don’t hold a grudge. It’s a better film, and the best movie I’ve seen this year.

It’s the classic self verse self conflict story line, but what Aronofsky lays before us is a gripping story that keeps us just confused enough to be engaged in the story — even if we know the ending before we walk into the theater. This is simply a phenomenal piece of work, and Portman gives the best performance of her career and she simply must win best actress at the Oscars.

Portman gives great depth to her character, a young, naive woman who is obsessed with being the perfect dancer while blocking out all emotion and pleasure in her life — whether it’s the love of her mother, emitting passion in her dance, or being sexual. This film felt like I was watching a Stanley Kubrick masterpiece, and I loved every minute of it. Bravo!