Tag Archives: comic book

Iron Man 3 Trailer

Here it is, the first full-length trailer of Iron Man 3! I have to say, it automatically has a much darker feel than the other two films — which I’m a huge fan of. This one plays off of last summer’s smash blockbuster, “Avengers,” which  was very fun. At the end of that film, Iron Man goes through a hole to another world. In this, we see that’s it has changed him. And, of course, this is the first appearance of his great comic book enemy, The Mandarin, played by Academy Award-winner Ben Kingsley. This film has massive promise.

Dark Knight Trailer #3 Released

Matt

The Dark Knight Rises, coming July 20, is the final and much anticipated conclusion to Christopher Nolan’s brilliant vision of Batman. The latest trailer looks very promising, leaving much to be the imagination while whetting our appetites for what promises to be an incredible closing chapter in the Nolan series. Enjoy.

 

Captain America: The First Avenger

Marvel launches another super franchise with this action-packed origin story, which follows Steve Rogers (Chris Evans) as he volunteers for a secret experiment during World War II. Transformed into a superhero named Captain America, Steve goes after the Axis. With his perfect physique and heightened reflexes — and his sidekick, Bucky (Sebastian Stan) — Steve battles the Red Skull (Hugo Weaving), a super soldier created by Italian fascists.

Kyle
Rating: 8 out of 10

This actually came out about what I was expecting. I was a little concerned it would deliver similar to “Thor” but came out a lot better. My optimism finally paid off. 

Chris Evans didn’t disappoint. He brought a great performance as Steve Rogers/Captain America. Hugo Weaving was alright though I thought his German accent was off. I thought it was odd, too, that the organization that Red Skull led (Hydra) existed almost separate from that of the Nazi party. It just seemed Hydra’s intentions were very much different than that of the Nazi party from my original understanding of the Red Skull; no hints of Anti-Semitism. 

The only other thing that bothered me was at a few of the CG sequences with Evan’s head on a smaller body. A couple of the shots were a bit unbearable; his chin was not cropped properly and it just appeared to end. Also, I thought they could’ve scaled it down a tad so that his head was proportionate the body they put him on. Other than that, I thought it was a really good film. It had lots of action, suspense, and heart. Captain America just wants to help those in need and that mentality is seen from beginning to end. 

Oh, and the post-credits footage was bonerific. Great tease to what next summer will hold in store for Marvel fans.

Amazing Spider-Man trailer leaked

Kyle

As some of you may know, I’m a huge Spider-Man fan. He’s my favorite comic book character in the Marvel universe. He’s a smart and misunderstood kid who gains superhuman abilities and, after an incident involving his uncle, tries to make the best of it, as hard at times as it can be. Even as Spider-Man, he was never is well liked or trusted.

I was not disappointed from what I saw after watching the trailer. Marc Webb is definitely coming at this with a different approach. I wasn’t quite sure what to expect seeing as he had just finished “500 Days of Summer.”

The trailer began with Parker’s parents going away. I’m not sure if this essential to the story, a flashback or a brief introduction but I’m really hoping it’s essential to the story. None of the three films went into Parker’s past with his parents but from the comics, there’s a lot there. Anyway, there are cuts of him in school, at home, and of course him going to where he meets his fate. In those images, Gwen Stacy (Emma Stone) is wearing a lab coat, which pretty much shows they’re being consistent in the comics with her pursue of science (unlike in SM3); she is also the first love of Peter.

The one thing that threw me off, though, was at the end of the clip. Yesterday I read on First Showing that Webb was trying to do as many effects physically as opposed to CG; which took them months to capture. What threw me off was the clip was a first-person shot of Webhead swinging about NYC, obviously using lots of CG. I’m guessing this is one of the few shots that they had to succumb to using CG. It is heartening to read a director trying to avoid CG on their film (didn’t Lucas give Jackson shit for not using CG in LotR?). Spider-Man is probably the worst superhero character to shoot a movie with regards to trying to avoid a lot of CG because of his abilities and all the web-slinging he does.
Even though I am getting sick of the reboots, remakes, prequels, sequels, and adaptations, Spider-Man is one I will never get sick of… wait, I said the same thing prior to seeing SM3. Oh shit. Let’s cross our fingers for no SM3, you guys.

The Dark Knight Rises Trailer Released

Matt

The promise of “The Dark Knight Rises” is unlimited. I felt like that before “The Dark Knight,” which is hands down one of the best comic book films ever made.

I had concerns about the number of characters and villains in “The Dark Knight.” There was Two Face and Joker, and it’s difficult to pull off two villains in the same film because they can often not be developed into anything more than a cookie cutter bad guy. But that was not the case, at all. Christopher Nolan understands storytelling and has handled the Batman franchise with great care and respect for his audience.

I have no qualms saying that “The Dark Knight Rises” will be just as good as its prequels. The Bane charater, played by Tom Hardy, looks nothing short of menacing and terrible. The above photo is enough to give you the creeps. We also get a small glimpse of Catwoman, thought it’s hard to see much. Even though this trailer is a mere wetting of our appetites, “The Dark Knight Rises” already looks amazing. It’s going to be a long year of waiting.

Thanks for our sister blog TV-Tastic for the trailer!

Thor

Kenneth Branagh directs this Marvel Comics-inspired action flick about the thunder god Thor (Chris Hemsworth), a powerful warrior whose father, Odin (Anthony Hopkins) — the king of Asgard — forces him to live among humans on Earth and learn humility. Once there, he finds a friend (Natalie Portman), along with unexpected enemies sent from his world. Kat Dennings, Stellan Skarsgård and Rene Russo co-star.

Matt
Rating: 4 out of 10

Have you ever seen the Dolph Lundgren’s 1989 opus (sarcasm) “Masters of the Universe?” It’s a live-action adaptation of the He-Man cartoon series of the 80s. The basic plot is that He-Man is this super hulk with a special weapon he wields in the name of good to protect his far-off science-fiction, fantasy home. Somehow, the he gets warped to Earth where he struggles to adapt while trying to get back. Along the way, some of the baddies from his home come to Earth where a battle ensues.

Well, that’s the exact plot of Marvel’s latest, “Thor.” This movie fails in just about every way. Without a strong supporting cast, it could have been a 2 out of 10. I was not impressed. It’s had some tough competition to follow with the excellent Iron Man movies.

I wouldn’t recommend Thor. It’s so awkward, it makes you feel uncomfortable watching it. I’d recommend watching “Masters of the Universe.” The first youtube installment is below. At least it’s funny because of how bad it is.

X-Men: First Class

In this exciting prequel to the X-Men series, Charles Xavier (James McAvoy) and Erik Lehnsherr (Michael Fassbender) — the future Professor X and Magneto — are best friends dedicated to harnessing their powers and promoting the education of fellow mutants during the turbulent 1960s. The duo works together to stop a powerful adversary that threatens mankind, but their ideological differences drive them apart and turn them into ferocious enemies.

Rating: 8 out of 10

It’s amazing how popular and influential the Wolverine character can be. That characters’ inclusion in the original X-Men series caused a lot of the others to be largely ignored.  Professor X, Magneto, Cyclops, Iceman, and many others were barely glazed over, much less explored in any satisfying way.  In fact, Wolverine was such a popular character that Fox gave the green light to a $150 million budget for his own film and origin story. So, with “X-men First Class,” and no Wolverine to be found (except for maybe the quick funny cameo), how would an X-men film fare? 

Well, it turns out to be the best in the entire series.  A lot of the credit for that goes to director Matthew Vaughn ( Kick-Ass, Stardust) who makes sure  action never comes at the expense of plot and character development. Each of the primary characters in the X-Men First Class are perfectly cast and fleshed out in a way that makes us care what happens to them.  I remember when I watched the first 3 flicks in the series that I thought they were all well-made films but none ever engaged me enough to truly care what happened to any of them. The effects were great, the action was great, and the plots were decent. However, many other comic book films made since have caused me to ignore them. The first two Spiderman films, “Batman Begins,” “Dark Knight,” and the Hellboy films are all better. I suppose the difficulty with the X-Men series is that it never truly lended itself to a two hour movie format. There’s just too much back story, too many characters, and too big a world to explore that it’s impossible to explain it all, especially to the non-comic book readers. That’s where “X-Men: First Class” gets it just right.  It takes a step back and allows us to slowly get initiated into the world and character relationships to the point where all the other films will make a lot more sense. Is it on par with the greatest comic book films?  No, but it’s a lot of fun and works even for those that have never opened a comic book. 

The Movie Brothers are back

The Movie Brothers have been away for a while, and for that, we apologize.

Extenuating circumstances have kept us away, but we’re coming back in full force.

We thank you for your continued readership, and we can’t wait to share with you what we have coming.

New posts are coming this week!

Top 5 Technologies that Changed Movies Forever

Brian

What will Superman change in now that phonebooths are all gone?

5. The Cell Phone: This isn’t really a technology that was directly made for the cinema but it changed the way movies were written. No longer are characters tied to desks, telephone booths, or home phones. All conversations can take place anywhere at anytime and are untraceable. Stop and think about how many movies in the last 10-15 years could not have been made without a cell phone. Almost every modern crime, action, and horror film completely relies on them. Also, cell phones have to be accounted for somewhere in the story. A character will almost always show that they can’t retrieve signal on their cell phone, lose it, or damage it in order for the plot to progress where they are helpless and alone or the audience’s first question is, “Why don’t they just call for help on their cell phone?”

4. Panaglide: I’m sure some of you are saying, “What the hell is Panaglide?” Well, Panaglide was a steadicam that attached by harness to a cinematographer to allow them to have isolation between the movement of the camera and the movement of the operator. This allowed them to get shots that were previously considered impossible. In the past, sets had to be created to allow for fluid movement of the camera and space for dolly tracking and cranes so that it wasn’t done handheld with the “shaky cam” effect. Panaglide solved that problem by creating smooth motion with one operator in cramped spaces. A great example of Panaglide is the opening sequence of the horror classic “Halloween”. The technology allowed the Director of Photography (Dean Cundey) to smoothly move from outside the house, inside and through it, have a murder scene, and then exit the house in one continuous shot in cramped space on location without dolly track on a very limited budget. Remember that great shot in Goodfellas where we are introduced to all the mob characters in one shot? Panaglide. Remember that great shot in Boogie Nights at the pool party that kept going for almost three minutes and underwater? Panaglide. It changed how films were made forever.

3. Surround Sound: I remember like it was yesterday the first movie I heard in full Dolby Digital surround sound. It was the terrific film Star Trek: First Contact. I was sitting in the theater and the moment the opening credits started I got goosebumps. The theater was completely alive with sound coming from all directions with crystal clear clarity. Unlike the days of stereo, when a spaceship flew by it felt like it went right over your head and through the theater. It immersed you in the experience of the story in a more complete way. Surround sound also changed the way directors and sound engineers created their movies. Effects and sounds had to be thought of in a 360 degree environment where the audience was just as invested with their ears as their eyes.

2. CGI: Love it or hate it, CGI changed movies forever. A lot of movies in the past were considered unfilmable. The ideas of large creatures, otherworldly locations, or sheer volume of fictional characters on screen at one time required such a huge financial commitment from film financers that many scripts were thrown away. CGI changed all that. For example, Steven Spielberg has said that without CGI, he would have never made Jurassic Park. After George Lucas saw what the technology could do, he decided it was time to start making new Star Wars films. And, James Cameron sat on his Avatar film for years because he knew that he needed CGI in order to achieve his vision. The technology had an even greater effect on the world of animation. The majority of films today are made through the process of computer animation. Pixar, Dreamworks, and Sony are just 3 of the many studios that are computer generated only. It has resulted in billions of dollars of revenue and been a driving force for creative flexibility.

1. Home Video: There is no single technology other than film itself that has changed cinema more than the ability for us to have movie playback in our home. It has gone through several advancements over the years: Beta to VHS to laserdisc to DVD to blu-ray and streaming. But, no matter the method of playback, the technology created new businesses through the home video rental market, movie collectors to buy and own their favorite films, and opened up a second way to get revenue for studios besides box office numbers. But, the most important thing it gave us by far is for us as film lovers to see movies we never got to see before. In the past, films would get re-released in theaters for short periods of time so that we could see films that we missed during their initial theatrical run. But, you would never know which films would come back and for how long. Today, we are so lucky to be able to see almost any film we want through services like Blockbuster, Netflix, Cable on-demand, or streaming boxes like Apple TV. It’s a great age to live in if you’re a film buff and it’s the most important technology added to movies ever!

Captain America Trailer Released

Kyle

“…because a weak man knows the value of strength, the value of power.”

Marvel has just recently released a full trailer for “Captain America: The First Avenger.” After watching it a few times, I have some mixed thoughts. As good as it looks, I’m not sure if the special effects in the cinematography are applicable. I mean, it looks good but if they are going for a true feel of World War II wartime, they shouldn’t have made given that unnecessary glow that it has. I haven’t seen Sky Captain, just some glimpses from the trailer when it came out, but the look of it reminds of that film. Perhaps my expectations of it are too high. I was kind of hoping for Saving Private Ryan meets X-Men.

The other thing I’m not sure about is Chris Evans’ portrayal of the cap. He played an okay hotshot in the terrible “Fantastic Four,” a good-looking street-smart with super powers in “Push,” and a funny hotshot in “Scott Pilgrim Vs. The World.” My hesitancy comes from the fact that he usually plays cool, confident, and attractive guys more or less. For Captain America, I imagine a guy who you can see and feel the hardship of being a below-average guy with a big heart who’s literally given the opportunity of a lifetime. With Evans’, I just don’t see it. Let’s hope his delivery better than my expectations. With Weaving as Red Skull, I’m not too worried. Weaving has some experience playing at both ends of being good and bad (“The Matrix” and “V for Vendetta”). I really hope the Red Skull’s history is depicted in the film; growing up as an orphan who has to survive by living a life of crime and eventually becoming Adolf Hitler’s right-hand man. I equally enjoy watching the rise of a hero as well as the rise of a villain; it adds some humanity to the protagonist by giving a reason for their ruthlessness.

Despite my two little bugaboos, I still look forward to seeing it. As a nerd, it’s a definite must-see regardless if it’s really good. At its core, it’s about a helpless guy who wants to make a difference and becomes a superhero and, from what I briefly saw, gets the girl. That’s enough appeal to any nerd such as myself. Will it be a huge success? Maybe not but we now live in time where if any comic book-to-film comes out, it’ll be automatically be compared to The Dark Knight and thus denouncing it as “not as good as ‘The Dark Knight.’” That alone creates quite a bit of bias for future comic book films, as different comic characters are very different than that of Batman and the world in which Batman operates. Regardless of this theory, it’s a big budget film that’ll be guaranteed to make a lot of box office dollars. Check out the trailer below and let us know what your thoughts are.