Tag Archives: Pulp Fiction

The Ten Greatest Movies Ever Made

Today marks our one year anniversary. It’s hard to believe it’s gone by so quickly, and it’s even harder to fathom how quickly our site has grown. We never thought when we started that we’d be getting tens of thousands of readers and listeners. We humbly thank you all for reading.

Surprisingly, there is only one film on our list that won the Academy Award for Best Picture. All of them, with the exception of Paths of Glory, were nominated for best picture. We scanned all genres, decades, and nations to pull together a list we’re very happy with. It wasn’t easy, but it sure was fun. We’re not ranking them. Instead, we’re simply naming these The Ten Greatest Movies Ever Made:

Paths of Glory: This is an anti-war film that looks at the true inhumanity we don’t often speak of in war, and that is how we treat our own soldiers. Paths of Glory has a script that is wise without ever wagging a finger in our faces and has some of the best war cinematography ever seen. It gives a sense of gloom and a foreboding destiny for the soldiers. Kirk Douglas was fantastic.

The Wrestler: This is simply a phenomenal film. We’ve heard people say it was nothing but violence and a “dumb guy movie.” They missed the point. This is a father/daughter story. It’s about a man who makes every wrong decision, but always tries to make it right. He has a great heart, but can’t get out of his own way. It’s a heartbreaking story with a performance by Mickey Rourke that is rarely seen. He is the only man that could have been Randy “The Ram.”

Forrest Gump: Is one of those rare films that touch on every aspect of our lives: love, loss, hope, fear, humor, confusion, growth and being lost before you find your way. This film was brilliantly directed and acted and had incredible waves of emotion, from complete hilarity to disbelief, heartbreak and fear. It’s a masterpiece.

Dr. Strangelove: It’s hard to believe that someone could make the Cold War funny, but that’s exactly what Stanley Kubrick did in this dark, smart comedy he co-wrote and directed. He took something that gripped two nations with fear and had the intelligence to make a script with absolute levity. We couldn’t be happier to have this film on the list.

Raging Bull: Which film won best picture at the Oscars the year Raging Bull was nominated? Anyone? Anyone? Exactly. It was “Ordinary People,” a good but forgettable film. Raging Bull will always stand the test of time. It’s unforgettable. As the great Roger Ebert said: “(Raging Bull) is a movie about brute force, anger, and grief. It is also, like several of Scorsese’s other movies, about a man’s inability to understand a woman except in terms of the only two roles he knows how to assign her: virgin or whore.”

Jaws: The perfect action thriller.  Amazing acting, tight and suspenseful directing, and an antagonist that lived up to the hype.  Each time we watch it, we think it’s even more than the last.  It put Steven Spielberg on the map and ushered in the first summer blockbuster.

The Shawshank Redemption: It takes an amazing story to grip you for three hours with little or no action.  Stop and think about it.  What was Shawshank’s big action scene? There wasn’t one.  Even the jail break at the end was told in flashback. And yet, we cannot remember a film that gripped us more than this one did.  The dialogue is thought provoking and honest and the acting of the entire collaborative cast gets you hooked right from the beginning.  This is the kind of movie that people can relate to and understand 100 years from now.  A gem.

Seven Samurai: Akira Kurosawa’s masterpiece is a triumph of the human spirit.  It shows what can happen when a group of people decide to rise up against all odds and defend the life and people they love.  We are introduced to a foreign land in a foreign time spoken in a foreign tongue and yet there’s not a person on earth that can’t relate.  That’s a testament to not only Kurosawa the filmmaker but also Kurosawa the writer.  A true artist and genius.

The Exorcist: The most unnerving and frightening film ever made.  Why did it end up on this list?  Because it’s about more than pea soup vomit and curses thrown at holy men from a foul demon.  It’s about good winning over evil when it feels like all hope is lost.  It’s also about a faith challenged man, who despite his questioning of God, still finds his heart when he needs it most.  William Friedkin’s work here is stupendous and timeless.

Pulp Fiction: The greatest and most important independent film ever made.  It not only made Quentin Tarantino a household name, it also put Miramax on the map and opened doors for so many indepedent filmmakers.  Not only is the movie historically important but it is also amazing entertainment wrapped in possibly the greatest script ever written for the silver screen.  The dialogue is spot on perfect, the casting is perfect, the progression is perfect, and his direction is flawless.  You see where I’m going with this?  Perfect.

The Ten Greatest Movies Ever Made Part 4

Every day we’re cutting ten movies from our original list of 45 of the Greatest Movies Ever Made until we’re down to ten. Brian gets to chop five, then Matt

Here are the movies that didn’t make the grade.

Matt’s Vetoes:

Goodfellas – This is an amazing movie. All the movies on this list are. But, it’s often pushed to the back of the line with gangster movies because there are so many. It’s lost in the shuffle, and it’s unfortunate, because it’s so much better than movies like Godfather that get all the love.

Taxi Driver – Great performances, gritty realism, excellent direction, but this is not Martin Scorcese’s best. There are a handful I like better.

Up – This is Pixar’s best film, hands down, and probably better than any Disney movie. It has heart, drama, and it surprised me how amazing it was. Breaks my heart to take it off the list, but we’re talking ten best ever, and it doesn’t make the grade.

Boogie Nights – Mark Wahlberg’s performance always seemed lame to me, which was the one thing that held this back. All the films have to be flawless, or really damn close. Excellent film, though.

Citizen Kane – It’s unfortunate, but this film has been dated. Newspapers are dead. The story is relevant, but the industry isn’t.

Brian’s vetoes:

Passion of the Christ — Moving, spiritual, and one of the most powerful films ever made. But, if you’re not Christian, it’s a two hour blood orgy.

On the Waterfront — Great story and contains Brando’s greatest performance on screen, but not top 10 ever.

8 1/2 — I vetoed this only because I don’t think it’s Fellini’s best film. That goes to La Dolce Vita.

Unforgiven — A powerful statement about old west violence and loss. But, again, I have to narrow the list down.

The Bridge On The River Kwai — This was the hardest film to veto on my list. Again, it’s a numbers game. Can I make this #11?

Movies remaining on our list:

Forest Gump
Seven Samurai
Wizard of Oz
Paths of Glory
Jaws
Pulp Fiction
M
Raging Bull
Casablanca
The Exorcist
The Shawnshank Redemption
The Wrestler
It’s a Wonderful Life
Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb
Psycho

The Ten Greatest Movies Ever Made Part 3

Every day we’re cutting ten movies from our original list of 45 of the Greatest Movies Ever Made until we’re down to ten. Brian and Matt will each chop five from the list.

Here are the movies that didn’t make the grade.

Matt’s vetoes:

Apocalypse Now – There are far better films in the war genre. This one gets a little too out there and away from what the message it should have had.

2001: A Space Odyssey – I love Stanley Kubrick, and I know this is a controversial pick. However, I think for a Top 10 film of all time, it has to appeal to everyone, and this one doesn’t. A lot of people don’t like or get this movie.

Blade Runner – I just didn’t enjoy this movie. It’s one of those movies you’re supposed to like. I often don’t like those films.

Saving Private Ryan – This is another excellent Spielberg movie, but in the broad spectrum, there are far better war films. This is a beautifully shot film that feels more like war than, perhaps, any film I’ve seen, but the dialogue isn’t the best.

Dumbo – Those crows are totally racist. Hence, not a timeless film. Can’t make the list.

Brian’s vetoes:

Born into Brothels — Great film but nowhere near my favorite documentary. I’d put “Man on Wire” ahead of it.

Black Swan — A brilliant film but it’s not even my favorite film of this year.

Singin’ in the Rain — Brilliant, wonderful, and great dancing and singing. But, the plot is pretty thin at the end of the day.

Spirited Away — Visionary and wonderful even to people that don’t like animation. However, not a top 10 film ever.

Rashomon — One of my favorite Kurosawa films but not as good as other finalists on the list.

Movies remaining on our list:

Forest Gump
Seven Samurai
Wizard of Oz
Paths of Glory
Jaws
Pulp Fiction
M
Taxi Driver
Raging Bull
Goodfellas
Casablanca
The Exorcist
Unforgiven
The Shawnshank Redemption
The Wrestler
Up
On the Waterfront
8 1/2
Boogie Nights
Passion of the Christ
Citizen Kane
It’s a Wonderful Life
Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb
Psycho
The Bridge on the River Kwai

The Ten Greatest Movies Ever Made Part 2

Every day we’re cutting ten movies from our original list of 45 of the Greatest Movies Ever Made until we’re down to ten. Brian and Matt will each chop five from the list.

Here are the movies that didn’t make the grade.

Brian’s vetoes

Life is Beautiful — A comedy about the Holocaust where a father tries to convince his son that he’s having a game with the Nazis? Wayyyy too overly sentimental to even be considered.

The Kid — Brilliant but dated and Chaplin has better films, namely “City Lights” and “The Gold Rush.”

Gone With The Wind — A classic film that really comes down to being a 3 1/2 hour soap opera. She loves him but he doesn’t love her and he loves her but she doesn’t love him until later when he decides he doesn’t love her but then she decides she really loves him….boring!!

Duck Soup — Funny but forgettable. Yes, the Marx brothers were great but hardly enough to be considered a top 10 film ever.

Rear Window — A great, classic suspense film that I love but it’s not even Hitchcock’s best.

Matt’s Vetoes

Braveheart – Too sentimental, the directing wasn’t that great, and the dialogue isn’t as strong as the movies that did make the cut.

Star Wars – It’s one of my favorite movie series of all time. I love it, and hold it close to my heart. But let’s be honest, these movies have wooden dialogue, stiff acting and the series was killed by the prequels (namely Jar Jar).

Inception – Great movie. The second best of 2011. It’s original, brilliantly directed, and I love it. However, the character development was held up by too much explanation of the complex story.

Schindler’s List – It’s the kind of movie you watch once, say, “It’s great.” Then don’t go back to it again. To be in the ten best ever, it has to be a movie I can watch over and over.

Clockwork Orange – LOVE LOVE LOVE Stanley Kubrick. Favorite director ever. However, this was not his best and there are movies I hold closer to my heart on this list. Tough choice to veto.

Movies remaining on our list:

Forest Gump
Seven Samurai
Wizard of Oz
Paths of Glory
Jaws
Pulp Fiction
M
Taxi Driver
Raging Bull
Goodfellas
Casablanca
The Exorcist
Unforgiven
The Shawnshank Redemption
The Wrestler
Born Into Brothels
Up
Spirited Away
On the Waterfront
8 1/2
Boogie Nights
Passion of the Christ
Singin’ in the Rain
Black Swan
Citizen Kane
Rashoman
It’s a Wonderful Life
Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb
Psycho
Dumbo
Saving Private Ryan
Blade Runner
2001: A Space Odyssey
The Bridge on the River Kwai
Apocalypse Now

The Ten Greatest Movies Ever Made Part 1

Our one year anniversary is upon us, and we wanted to do something fun, and a little epic, so we’re picking the ten greatest films ever made. Brian and I carefully picked this list of 45 films we wanted to consider for the ten best ever. Each day until our anniversary on Thursday, we will remove ten films from the list and explanation why. The Movie Brothers, Brian and Matt, each picked five films to cut from the list each day.

Here are the list of 45 films, in no particular order, we will consider for the ten greatest movies ever made. Let us know which ones you think should stay, and which should go — and maybe some films you thought should have been in the mix. The top ten will be revealed on our one year anniversary this Thursday, March 17, 2011.

Forest Gump
Seven Samurai
Wizard of Oz
Paths of Glory
Jaws
Pulp Fiction
M
Taxi Driver
Raging Bull
Goodfellas
Casablanca
The Exorcist
Unforgiven
The Shawnshank Redemption
The Wrestler
Life is Beautiful
Born Into Brothels
Up
Spirited Away
On the Waterfront
8 1/2
Boogie Nights
Passion of the Christ
Singin’ in the Rain
Black Swan
Citizen Kane
Rashoman
It’s a Wonderful Life
Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb
Psycho
The Kid
Rear Window
Clockwork Orange
Gone With The Wind
Duck Soup
Braveheart
Star Wars
Inception
Schindler’s List
Dumbo
Saving Private Ryan
Blade Runner
2001: A Space Odyssey
The Bridge on the River Kwai
Apocalypse Now

Here’s someone’s video on 100 great movies:

The Man Who Wasn’t There

In this black-and-white film noir by Joel Coen and Ethan Coen (True Grit, No Country for Old Men), Billy Bob Thornton stars as Ed Crane, an aimless barber who’s dissatisfied with his life in a small northern California town in the summer of 1949. His wife’s (Frances McDormand) infidelity presents Crane with an opportunity for blackmail that he thinks will turn his life around … but his scheme lays bare even darker secrets that eventually lead to murder. James Gandolfini co-stars.

Brian
Rating: 8 out of 10

The Coen Brothers float from genre to genre the way that David Bowie floats from music style to music style. They decide on a script, make the film, and tell a great story. There really is no weak part to their filmmaking. They weave a great tale, always get first rate performances from the actors, and have a keen visual eye for interesting camera angles and visual trickery to illicit an emotional response.I think when all is said and done; they are in the top 5 of American filmmakers ever.

“The Man Who Wasn’t There” is their take on film noir and they do a terrific job. It’s not perfect; “Fargo” and “No Country for Old Men” were perfect. But for film noir, it’s great. A lot has to be said for the film’s editing. This is a film that relies a lot on silence. The main character (played note perfect by Billy Bob Thornton) is a man of few words but deep thought. His narration accompanies the film wonderfully and fills in the blank spaces. Much of the dialogue is one way. A character talks to Billy Bob and he just nods. His quiet demeanor leaves an aura of unpredictability to his character that keeps the film moving. You never know what’s bubbling underneath the surface. Is it rage? Anger? Fear? Sadness? Happiness? We don’t always know and it leaves a lot to our imagination.There’s also first rate work here by the entire cast. James Gandolfini, Frances McDormand, Michael Badalucco, and particularly Tony Shalhoub as the eccentric and fast-talking lawyer Freddy Riedenschneider are awesome all around.

The problem with the film is the few loopholes in the story that made little sense to me. If Billy Bob’s character was trying to move on from his wife and create his own life, why did he pay through the nose for a top flight lawyer? It seemed closed and shut that he eliminated two problems at the same time: his wife and her adulterous lover. Also, for a guy who seems to think out every deal, he couldn’t see that the man starting the dry cleaning business was a scam? The last reel of the film is a disappointment because the setup was so good. But all in all, I highly recommend it, particularly if you love old black and white film noir.

Forbidden Planet

Forbidden Planet stars Leslie Nielsen as a heroic starship captain who finds the paradise planet Altair-IV, which is inhabited by Dr. Morbius and his daughter, the sole survivors of an earlier expedition. Morbius uncovered the secrets of the long-lost civilization that made Altair-IV a paradise — the same secrets that unknowingly destroyed the society!

Victor
Rating: 9 out of 10

Plain and simple- “Forbidden Planet” is an under appreciated sci-fi classic. It was directed by Fred Wilcox and stars Leslie Nielson (yes, Leslie Nielson from Naked Gun and Airplane!), Anne Francis and Walter Pidgeon. It is a film which is a marvel to behold on numerous levels. On the surface it is almost a sci-fi horror fable about a creature awakened from a deep slumber on another planet. The story involves a monster which is killing off crew members of a rescue party sent to investigate the disappearance of previous explorers. Upon finding only two survivors, Pidgeon and his daughter played sexily by Francis, the captain suspects that something about the ancient civilization of the planet is awry. There has been obvious comparisons to Shakespeare’s The Tempest, but the film digs deeper than that and explores the Greek intensity of the Id. Pidgeon’s character gives this feeling to the viewer because his sub conscious-mind that drives the creature.

Leslie Nielson and Anne Francis have great chemistry. Their interactions with Robby the Robot (a very expensive prop for 1956) are wonderful to watch, as are the special effects that still look very polished to this day. “Forbidden Planet” also sports a cool electronic score done by Louis and Bebe Barron. It’s is a bit jarring at first but the beeps and boops mesh well with futuristic settings.

I remember having this film on VHS — then laserdisc and now blu ray — and the transfer is impeccable. It still holds up well and is very entertaining even for the most jaded sci-fi geek. The dialog is a bit corny and the pacing somewhat laborious at times. But I am nit picking. Catch it in widescreen if you can. And try not to provoke monsters from the Id.

Operation: Endgame

When a government assassin known as The Fool (Joe Anderson) arrives at a classified underground facility for his first day of work, he discovers the boss has been killed. Now, he must uncover the murderer before they all lose their jobs — or their lives. Stars making appearances in this action-packed comedy include Zach Galifianakis (The Hangover, Dinner for Scmucks) Ving Rhames (Pulp Fiction), Ellen Barkin (Brooklyn’s Finest), Rob Corddry (Hot Tub Time Machine), Bob Odenkirk (Mr. Show), Jeffrey Tambor and Maggie Q.

Matt
Rating: 4 out of 10

I saw Zach Galifianakis on the cover of the DVD, so I grabbed it. But there are a bunch of other actors that make me laugh, like Corddry, Odenkirk and I really like Rhames and Barkin. I figured I couldn’t lose.

The movie started off fine. They set up an action/comedy with a solid enough story where a group of spies and assassins will be killed if they can’t escape their underground office, which is below ground and sealed away from above. We get some great laughs by some ridiculous characters. Galifinakis and Corddry were great — the former a sharp shooter who lost his rights to be an assassin from gaining too much weight, Corddry a foul-mouthed alcoholic who spews insane insults. Ultimately, though, this film is amateurish. First-time director Fouad Mikati had a lot of talent at his disposal and failed to make it work. There were some moments that definitely made me laugh, but the humor was also squashed at times by being too crass. I feel the same way about swearing as I do about violence, they both have to be done right to work.

Ultimately, the movie turned into a dramatic action film, got less funny, but was harder to watch. You could do worse if you’re in the mood for a comedic action flick, but you could do a lot better, too. I would suggest “The Other Guys.”

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