Tag Archives: Rose Byrne


After moving into a new home, Josh (Patrick Wilson) and his wife Renai (Rose Byrne) confront terrifying tribulations when their son Dalton (Ty Simpkins) falls into a coma and his body starts to attract malevolent forces from a mysterious netherworld. But when the family decides to move again, hoping to leave the evil spirits behind, they realize that their problems are just beginning. James Wan (Saw) directs.

Rating: 5 out of 10

The first hour of this movie was outstanding. One of the best horror films to come out in years. It had me jumping and nervous, and was a great date night movie that was intriguing, smart, well-paced with great performances and sharp direction.

The last act of the movie, however, took a huge nosedive. We are given the impression that a demon is after a little boy’s soul. We get narrow glimpses of him throughout the movie but never see him. It’s the Alfred Hitchcock theory that what the audience doesn’t see is what scares them the most. And it’s true.

In the last act, however, we get so much over-the-top demon, it just gets downright silly. It really stopped my viewing pleasure and made the whole thing seem silly. The ending is strong, and has a nice twist, but I was disinterested by the time it got there. It’s a shame, because this movie was so close to being amazing. Hard to say it’s anything better than average, though.


Named her best friend’s maid of honor, down-on-her-luck Annie’s competition with a fellow bridesmaid, the wealthy and beautiful Helen, threatens to destroy the wedding. Meanwhile, a local cop takes a liking to Annie.

Rating: 9 out of 10

Boy oh boy have I been waiting to see this film since they first released the poster and stills from the film. I am a huge fan of Kristen Wiig, Maya Rudolph, Wendi McLendon-Covey, and Ellie Kemper.  Nothing is more exciting for me than hilarious women, even more so with Paul Feig as director and Judd Apatow (40 Year Old Virgin) as a producer.

The movie did not disappoint. The mesh of raunchiness, the roles of women, and heart was just superb. I think too many comedies nowadays are having either too much raunchiness or too much (cheesy) romanticism. This film is not any type of cheese.

I’m not familiar with the work of Melissa McCarthy but I wasn’t excited for her because of that show “Mike and Molly” that recently came out. I caught some of a couple episodes and absolutely hated it. Despite this, I thought she brought just as much hilarity to the table as the others; I’m still not going to watch that show though.

I got a little sad though that Tim Heidecker (Rudolph’s fiancé in the film) of Adult Swim’s “Tom Goes to the Mayor” and recently deceased “Tim and Eric Awesome Show, Great Job!” didn’t partake in the hilarity. He had some nods, smiles and maybe a line or two but that’s it. No worries T&E fans, he and Wareheim are currently working on what’s now titled as “Tim and Eric’s Billion Dollar Movie.”

If you haven’t seen this movie… what the hell are you waiting for?! Go out and see it! It is absolutely worth it. This is going to be an instant buy when it comes out on DVD.

X-Men: First Class

In this exciting prequel to the X-Men series, Charles Xavier (James McAvoy) and Erik Lehnsherr (Michael Fassbender) — the future Professor X and Magneto — are best friends dedicated to harnessing their powers and promoting the education of fellow mutants during the turbulent 1960s. The duo works together to stop a powerful adversary that threatens mankind, but their ideological differences drive them apart and turn them into ferocious enemies.

Rating: 8 out of 10

It’s amazing how popular and influential the Wolverine character can be. That characters’ inclusion in the original X-Men series caused a lot of the others to be largely ignored.  Professor X, Magneto, Cyclops, Iceman, and many others were barely glazed over, much less explored in any satisfying way.  In fact, Wolverine was such a popular character that Fox gave the green light to a $150 million budget for his own film and origin story. So, with “X-men First Class,” and no Wolverine to be found (except for maybe the quick funny cameo), how would an X-men film fare? 

Well, it turns out to be the best in the entire series.  A lot of the credit for that goes to director Matthew Vaughn ( Kick-Ass, Stardust) who makes sure  action never comes at the expense of plot and character development. Each of the primary characters in the X-Men First Class are perfectly cast and fleshed out in a way that makes us care what happens to them.  I remember when I watched the first 3 flicks in the series that I thought they were all well-made films but none ever engaged me enough to truly care what happened to any of them. The effects were great, the action was great, and the plots were decent. However, many other comic book films made since have caused me to ignore them. The first two Spiderman films, “Batman Begins,” “Dark Knight,” and the Hellboy films are all better. I suppose the difficulty with the X-Men series is that it never truly lended itself to a two hour movie format. There’s just too much back story, too many characters, and too big a world to explore that it’s impossible to explain it all, especially to the non-comic book readers. That’s where “X-Men: First Class” gets it just right.  It takes a step back and allows us to slowly get initiated into the world and character relationships to the point where all the other films will make a lot more sense. Is it on par with the greatest comic book films?  No, but it’s a lot of fun and works even for those that have never opened a comic book. 

Get Him to the Greek

Ambitious young record company intern Aaron Green (Jonah Hill) will let nothing get in the way of his planned rise to the top in the music business — not even the unruly rock star (Russell Brand) he must escort to Los Angeles for the start of his anniversary concert. Doing whatever it takes to get the rocker from Point A to Point B, Aaron encounters all manners of mishaps in this comedy directed by Nicholas Stoller (Forgetting Sarah Marshall) and produced by Judd Apatow (Knocked Up).

Rating: 2 out of 10

Isn’t there a point during the production of a comedy where the director is supposed to ask, “Wait… shouldn’t this be funny?”

I didn’t laugh at all at this movie, which was a sort-of sequel to “Forgetting Sarah Marshall” that featured two of its lesser characters. I mistakenly was looking forward to seeing this and was disappointed to find that the film lost itself with loads of awkward and dirty moments that didn’t lead to laughs. Look, I get dirty humor. But I don’t need to see Jonah Hill shove a condom full of heroin up his morbidly obese ass. That dude seriously needs to lose some weight. He’s on a fast track for diabetes. And Russel Brand was boring and predictable. He has this swagger about him that shouts, “Look at me! I’m funny and charming, aren’t I?” No. No you’re not. The writing didn’t help his case. I didn’t find his rock star character’s sappy love song about his unit called “My Bangers and Mash” very funny. It’s just dumb. You can be dirty and clever — and even charming if it’s done right. Apatow did that so well with “Knocked Up” and “40 Year Old Virgin.” This was just an over-produced film with very little thought put into it. I feel like I lost a few I.Q. points watching this.

There are times when having a potty mouth is funny, but Judd Apatow needs to be slapped on the wrist for this one.