Who Ya Gonna Call? Bill Murray… But he probably won’t answer

matt

Part of me is annoyed at Bill Murray, and part of me sympathizes with why he’s turned his back on the long-gestating “Ghostbusters 3.”

The latest news, as reported by IGN.com, is that production for the long-talked-about sequel will begin summer 2013 and will do so without Murray.

My inner fanboy is crying out, “Why not do this for the fans, Bill?! We all are dyeing to see you back as Dr. Peter Venkman. We love you, and we love you in this unforgettable role. We are the ones who put all that money in your pocket. We’re the ones who waited in line and spent our hard-earned money to see your movies. We made you who you are, and you owe us — even if you’re not crazy about doing it.”

But  the truth is, we paid our money to see Bill Murray because he’s an incredible talent. I’m a huge fan of his, and I trust him. I believe when he makes a movie, it’s going to be a good one. I’m looking forward to his next movie, “Hyde Park on the Hudson,” in which he plays Franklin D. Roosevelt. There’s already early Oscar buzz surrounding his name. This is a man whose made some amazing movies, has incredible range, and always delivers a good performance — even if the movie isn’t great.

So I have to trust that he’s making the right choice to not take part in Ghostbusters 3. There have been so many prequels, sequels and spin-offs that I’m confident to say I could have lived without a third installment in the franchise. I’m sure it would be much better with Murray back in the cast, but it’s not going to ruin my day.

As a public, we often get the feeling that we’re entitled to the work of an artist. We feel that authors, artists and movie makers owe us their work, but it’s really not true. The greatest creations are those born naturally. It goes back to the old saying that sequels are never as good as the original, and it’s true for the most part. The reason being is that great original works are organic. When a spin-off is born out of request by the public or the demand for more dollars by a studio, it’s usually watered down, forced, and not fresh.

All great artists produce work that satisfies them. Stanley Kubrick never set out to please studios with his films. Pablo Picasso didn’t paint more or pursue surrealism because people demanded it. They created because they were artists, and people enjoyed their work because they were great at it. Bill Murray’s his own man, and I can’t help but respect him for it.

I look forward to the rest of Bill Murray’s career much more than I long for a third Ghostbusters movie.

Top 5 Bill Murray Movies

matt

I think Bill Murray is one of the best actors of his generation. He once said it’s much harder to make an audience laugh than to cry. But he’s done both and in excellent fashion. He’s long shown range in acting — whether it’s something dramatic like “Broken Flowers,” or something completely goofy like “What About Bob?,” Murray has a way of engaging an audience like few can. This was a hard list to write because he has so many great movies that aren’t on this list, like “Ghostbusters,” “Get Low” “The Royal Tenenbaums,” “The Fantastic Mr. Fox,” “Rushmore” “Kingpin”
“Scrooged,” and the list goes on. But these are my Top 5 Bill Murray Movies:

5. The Man Who Knew Too Little: This is a movie with a simple concept that is just beautifully played out by Murray. He plays a simple American guy who visits his brother in London. His older brother needs to get him out of the house because he has important company and gets him tickets to “The Theater of Life,” in which the audience member meets the cast on the street and take part in a realistic, life-like play. Only when Murray’s character goes to a designated payphone for his call to start the play, he gets a call from a real life spy. The rest of the movie, he’s acting like a spy, thinking he’s acting, but is actually caught up in real-life espionage. It’s brilliant, and Murray makes me laugh every time in this very underappreciated film in his large body of work.

4. Quick Change: Murray plays a bank robber in this romp of a heist movie. It’s got a lot of action and an actual smart bank robbery story at its core, but it is a brilliant comedy with excellent supporting roles by Gina Davis and Dennis Quaid. This is classic Murray from the early 90s. If you haven’t seen this movie, check it out. It’s one of Murray’s best performances in a very smart, funny movie. Oh, and he directed it, too.

3. The Life Aquatic with Steve Zissou: This is a visually compelling film by Wes Anderson, a director Murray has collaborated with on “Rushmore,” “The Royal Tenenbaums,” ” The Darjeeling Limited” and “The Fantastic Mr. Fox.” It’s a comedy, for sure, but it’s also a complex father/son story. This is one of those films where you either love it, or you didn’t care for it very much. I think this is one of Anderson’s best films and Murray gave an understated performance in what could have been a campy delivery of a character surrounded by a lot of zany imagery. It was brilliant.

2. Lost in Translation: Murray was fantastic in this Golden Globe-award winning role, for which he won best actor. He was nominated for an Academy Award and didn’t win, but sometimes getting the nomination is enough. Again, this is the kind of range great actors like Robert De Niro — who constantly flops in comedy — don’t possess. This was a simple film, but sometimes the best stories are. Murray was strong as the once-famous actor who goes to Japan to make commercials. He was engaging, funny without trying, and dramatic without effort. This could be his best performance in this group.

1. Groundhog Day: This is a great film that showcases everything Murray does well. He plays a great sarcastic jerk with moments of sincerity, drama, slapstick all wrapped in one of the most brilliant comedic scripts ever written. The Academy almost completely ignores comedy. I’m not saying this should have won best picture, but this is one of those ones that should have at least been nominated for original screenplay. Murray plays a man stuck on the same day — Groundhog Day. He’s a weatherman there on assignment and every morning, over and over again for eternity, lives the same day. He does everything all of us would do, like commit suicide, think you’re a God and go a little mad, and eventually screw around and break the law. But ultimately, he begins to figure out that he needs to change and make himself a better man to get out of his rut. It’s an unforgettable film, and Murray’s best.

Rushmore

Wunderkind Max Fischer (Jason Schwartzman), a sophomore at upscale Rushmore Academy and the president of myriad school clubs, sees his world turn topsy-turvy when he’s smitten with widowed first-grade teacher Rosemary Cross (Olivia Williams). To win her heart, Max enlists the aid of self-made steel magnate and school benefactor Herman J. Blume (Bill Murray), only to end up vying with the millionaire industrialist for Rosemary’s affections. Directed by Wes Anderson (Fantastic Mr. Fox, The Royal Tenenbaums).

Kyle
Rating: 9 out of 10

I was in the sixth grade the first time I watched this film. I didn’t understand the comedic elements at the time but there was just something about it that appealed to me so much.

It’s been ten years and I still love this film. The world that Wes Anderson creates is so intriguing to me. He presents this retroactive group of people who operates independent of modern society. I don’t think I’ve loved and hated a protagonist as much as Max Fischer. What compliments this film even more is the musical score, in this case and most unsually, by Mark Mothersbaugh.

Also, this film definitely opened up my eyes for Bill Murray’s potential as an actor. For a while, I was getting a little tired of the roles he played but when I saw this I couldn’t believe his performance. When he appeared in more in Wes’ films, as well as “Lost In Translation” and “Broken Flowers,” I was just amazed.

Fantastic Mr. Fox

It is the story of one Mr. Fox (George Clooney) and his wild-ways of hen heckling, turkey taking and cider sipping, nocturnal, instinctive adventures. He has to put his wild days behind him and do what fathers are supposed to do best: be responsible. He is too rebellious, too wild, and he’s going to try one more big score on the three nastiest, greediest farmers in the county. It is a tale of crossing the line of family responsibilities and midnight adventure, the friendships and awakenings of this country life that is inhabited by Fantastic Mr. Fox and his friends, and ripping off the man. Directed by Wes Anderson (The Life Aquatic with Steve Zissou, Rushmore).

Matt
Rating: 8 out of 10

The great English actor Peter Ustinov (who won Academy Awards for his roles in Spartacus and Topkapi) once said good characters have contradiction. Every villain has to have a heart and every hero has to be a sinner.

Mr. Fox is a thief at heart. He tries to be a newspaper man after giving up his life of crime for his pregnant wife, but the itch never goes away. But at the same time, we root for him, and this is where Wes Anderson succeeds.

Anderson put together a great cast — George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, and Adrien Brody — who bring a brevity about being the voices of animals while not selling the characters short of being charming, villainous, or even sad.

This is a movie that children will enjoy — there’s no foul language or overt violence — but adults will be far more entertained by the subtle and not-so-subtle character development, jokes and gags that only we can get. This is a light-hearted story that is very enjoyable, stylish and witty beyond it’s simplistic stop-motion animation. This is a very smart film and I give Anderson a great deal of credit.