The Bond Films – “The Living Daylights” (1987)

General Georgi Koskov: I’m sorry, James.  For you I have great affection, but we have an old saying:  duty has no sweethearts.
James Bond: We have an old saying too, Georgi.  And you’re full of it.

Directed by John Glen

Reviewed by Victor

8 out of 10

The Living Daylights is the 15th Bond entry and the first of 2 films that starred Timothy Dalton as James Bond. I wish he had done more. The studio took a gamble that paid off in getting Dalton to bring an edgier, leaner Bond back to the big screen. Fortunately for all involved Roger Moore decided to hang it up with the Bond movies (He was close to 60 years old) after the ridiculousness of “A View to a Kill” which was a critical and financial let down. Moore did 7 films overall and for the most part his Bond was a long running gag, it seemed, until “For Your Eyes Only” which was the best Moore Bond in my opinion. Moore should have stopped there. He didn’t. Much to our astonishment. But, oh well he did have a good run and we had to move on since we all wanted more Bond and more Bond girls.

The first thing I loved right away was that the movie was a genuine spy picture and not an unintentional parody of itself. We get a very cool intro involving a training exercise in Gibraltar. Here we are re-introduced to the stoic and deadly serious new “M” played by Robert Brown (who would go on to play M four times) as the head of MI:6. He gives his paratroopers their instructions and has them jump out of an airplane to descend on awaiting soldiers with paint guns. But in typical action movie fashion some jerk has real ammunition and is ready to do some damage to the double O’s that are unaware it’s open season on British spies. This opening is fast and full of well choreographed action as we are introduced to our new Bond – Timothy Dalton. He’s fast, pissed and seriously wants to get the asshole who just did his mates in. And he does and soon after of course he lands on a yacht and convinces a bored woman that he is a “Real Man.”

I must admit, I wasn’t too keen on the “A-Ha” tune at first but it grew on me. It became catchy and after I purchased the Bond songs compilation CD a few years back it became one of my favorites behind Duran Duran’s and Sheryl Crow’s entries.

Right after the opening we get a somewhat faithful adaptation of Ian Fleming’s short story “The Living Daylights” It basically involves a Russian defector who frames his girlfriend Kara Milovy (Maryam D’abo) as an assassin. The defection though is not all that it seems to be since General Koskov  played by Jeroen Krabbe (The Fugitive) is blaming the innocent General Pushkin (John Ryhs Davies – Raiders of the Lost Ark) for putting out a hit on British Spies known as “Smert Shpionam.” Davies replaces Walter Gotell (General Gogol) after Gotell fell ill and could not work. After Koskov is re-captured Bond gets very suspicious and starts to tail Kara to get close to Koskov and pose as his old friend.

Former model D’abo is a bit weak as a Bond girl. She is too timid, quiet and at times too doe-eyed. She starts to really come into herself once she starts to figure out Bond’s intentions. She plays strongly off of Dalton and by the third act she is pretty much playing his equal. Dalton, though continues to impress. His seriousness and anti-establishment leanings are fun to watch as he bends the rules, rubs a co – agent the wrong way and defies orders. For example he gets Koskov out of the country using a very busty Russian double agent to entice a watchmen and off goes Koskov in a small tube in the Russian oil pipe-line. Great stuff. These little bits of levity are welcome but I loved the straight tone of the film. Even “Q” played by the ever lovable Desmond Llewelyn gets into the lighter moments as he introduces Bond to the latest spyware gadgets like my favorite – A large boom box with Missles. “Something we are making for the Americans. It’s called a Ghetto-Blaster!” Just fucking brilliant.

So, on with the rest of the cast. I really liked that they let us have, for once, a very cute and attractive Ms. Moneypenny here with the lovely Caroline Bliss. Bliss is at first a bit stiff but settles in nicely as she starts to flirt with Dalton and obviously she shows us that she pines for him as he turns to leave. She gives us the goo goo eyes and pouty lips. As the action and story nicely progress (after a long stunt filled chase scene in the snow and over a frozen lake using Q’s tricked out car) we end up in Afghanistan and we watch Joe Don Baker chew the scenery as the militant and sometimes buffonish arms dealer Brad Whitaker. He gets what’s coming to him as he double deals and back-stabs to no end. The big surprise for me was Art Malik as Kamran Shah as a leader of the Mujahideen. Art steals every scene he’s in starting as a lowly, dirty prisoner of war then being outed as a military leader in disguise. He and Dalton butt heads but Art’s loveable nature and his devotion to his cause (that involves Opium and Russian figureheads) is very believable.

So, to wrap it up, The Living Daylights is very good and the last “Cold War” entry of the franchise. John Barry’s score is hip but repetitive at times. He gives the movie sufficient momentum during a few tracks like the plane chase during the movie’s finale. I rather admire Barry for his long run as the stand out composer of the Bond films. (David Arnold as well). The finale is rousing fun with a great attack on the Russian airfield and Bond’s desperate attempt  to stop a bomb and drugs from leaving the country. So, there are bombs, bullets, camels, horses and a great climactic fight between Dalton and the dude with the small feet from “Die Hard” – Andreas Wisniewski as the deadly “Necros” (why are all these henchmen  blonde?) who gives it all he has to try and defeat Bond. The stunts are great and the action very entertaining. The last showdown between Bond and Whitaker is just plain hilarious. “He met his Waterloo”

So, enjoy this first of 2 Timothy Dalton entries, gang. It’s a goodbye to the Cold War Bond films and it works in all the right places. Recommended.

– Victor

Skyfall

When a serious menace threatens MI6, James Bond is on the case — putting aside his own life and personal issues to hunt and obliterate the perpetrators. Meanwhile, secrets arise from M’s past that strain Bond’s loyalty to his longtime boss.

Brian
Rating: 10 out of 10

If I sound vague sometimes in the review, it’s only to keep it spoiler free.

It’s a great time to be a fan of James Bond.  Not only has the character evolved over the last 50 years of films, but they have also grown stronger and attracted a higher and higher level of talent both in front of and behind the camera.

Skyfall is a mixture of everything that makes James Bond special and yet reinvents the formula to create a compelling mixture of action and humanity within the Bond universe.  So much of what makes Skyfall stand out is the technical prowess behind the camera from both Director Sam Mendes (American Beauty, Road to Perdition) and Cinematographer Roger Deakins (Shawshank Redemption, No Country For Old Men).  This is the prettiest Bond film to look at of all time. All of the locales each have their own distinct visual styles: Gold and natural light in Asia, deep blues and darkness in Britain, and deep washed out browns in Turkey.  But, you don’t want to hear about the visuals do you?  You want to know whether it has a good story?  Good characters?  Is Daniel Craig his usual ass kicking self?  Yes to all of the above.  Craig has brought so much more to the role than just being a martini sipping quip machine.  He has a past that is explored here including his loyalties to his M, where he comes from, who his parents were, and why he became an orphan.  It adds a humanity to his character that draws you in and Craig’s performance suits this modern Bond so well that I can’t see anyone else in the role.  Supporting work all around is also excellent.  Judi Dench is giving a lot more screen time in this one and she’s typically outstanding, newcomer to the series Naomie Harris is appealing and likable, Ralph Fiennes is great, and Javier Bardem is the best Bond villain ever.  You heard me right….ever.  Why?  The most interesting villains are the ones that aren’t completely single-minded.  He has a damn good reason for wanting revenge against the MI6 agency that Bond works for.  His methods are evil but his reasons are legitimate.  All of it is delivered in a captivating way by Oscar-winner Bardem, who’s ability to play fantastic villains may end up being what he’s best remembered for.

I could go on about all of the action scenes, the terrific dialogue, or the plot progression and pacing, but I’ll close the review with this:  Skyfall is the finest Bond film ever made. There goes our Top 5 Bond Films.

Top 5 Bond Films of All Time

Brian

Wth the release of the much-anticipated “Sky Fall” this weekend, we thought it would be the perfect time to break down our list of the Top 5 Bond movies of all time. It wasn’t easy, with so many styles, actors and quoteable lines that stretch generations… but here goes.

5.  License to Kill
Timothy Dalton only acted in two Bond films, but this was certainly his best effort.  This was the polar opposite of the quirky Roger Moore films like “Moonraker” and “A View To a Kill.” This rings truer to the spirit of the Ian Fleming novels.

4.  Goldeneye:

The first and strongest film featuring Pierce Brosnan in the title role.  The climatic ending with baddie Sean Bean 500 feet up in the air is fantastic and the one liners throughout are great.  One of the most fun entries in the series.

3.  For Your Eyes Only:

In my opinion, this is by far the best of the Roger Moore James Bond films.  All of the action throughout is excellent and the plot has some actual teeth to it as the cold war action permeates throughout leading to a cliffhanger at a mountaintop monastery.

2.  Goldfinger:

My favorite entry starring Sean Connery.  It contains the most iconic villain in the history of the 50 year series and was the first to tighten up the action scenes after the first two films, Dr. No and From Russia With Love, contained far more dialogue and superfluous scenes.  It turned Sean Connery into a household name and set the entire series up for its long and storied run.

1.  Casino Royale:

The quintessential Bond film in every way.  It has a terrific plot, fantastic supporting characters, non-stop action, and the best actor to ever play the iconic lead character.  It also has something that almost all of the Bonds film don’t…a heart.  the chemistry between Eva Green and Daniel Craig is palpable and there are emotional consequences for violent actions.  I never thought I’d see either in a Bond film and for it to work so well.

Our Oscar Season Preview

The leaves are changing a golden hue, little trick-or-treaters will soon be ringing our bells, and the quality of films suddenly takes a huge leap after the September lull that always follows a summer of blockbusters. Yes, Oscar season is here, and we can’t wait to see some of the enticing films coming to theaters very soon or are already here. We each picked three we can’t wait to see.

BRIAN
The Master
Currently in limited release but I have not seen it yet. Director Paul Thomas Anderson is currently, in my opinion, the finest American director working today. This has a chance at a second, wider release, like last year’s best picture winner “The Artist.”

Skyfall
Academy Award-winner Sam Mendes (American Beauty) steps in to direct the new James Bond film. How could you not get excited?

Argo
Ben Affleck directs another thriller, and if his last two films are any  indication, this will be fantastic.

MATT
Wreck It Ralph
It’s not too hard to predict that a Pixar film will be nominated for an Oscar, but this is the first one in a while I’ve been pumped for. It looks stocked full of video game nostalgia wrapped in a nice story.

Lincoln
Steven Spielberg has whiffed on a lot of movies over the last decade, but this ambitious period piece could just put him back on the map. Academy Award-winners Daniel Day Lewis, Tommy Lee Jones, and Sally Field round out an excellent cast.

Django Unchained
Any time Quentin Terrantino makes a movie, the world sits up and pays attention. He has yet to win best film or director, but perhaps this is the one to do it. Academy Award-winners Jamie Foxx and Christoph Waltz star in Terrantino’s first western — a genre that feel made for him.

Vic’s Classics: Dr. No

On a mission in Jamaica, suave Agent 007 (Sean Connery) — in the first of the James Bond films — finds mad scientist Dr. No (Joseph Wiseman) plotting to derail the U.S. space program and take over the world, pushing Bond into an intimate alliance with the sexy Honey Ryder (Ursula Andress). With the help of Felix Leiter (Jack Lord), Bond battles seductive double agents and sinister villains in his quest to save the human race.

Victor
Rating: 9 out of 10

My first theatrical exposure to a genuine James Bond film was when I saw (I’m cringing right about now) MOONRAKER in 1979. Ugh. What a way to cash in on Star Wars. Well, Disney did it with “The Black Hole,” so why not UA? After the movie I felt as if I had seen all they had in the cool, neat, little package that is James Bond so I shrugged my shoulders and said, “Meh” and moved on to my next flick. My Uncle and Grandfather had insisted that Bond had a very good run of films waaaaay back even before my time. I found it incredulous but hey who was I to argue with my Grandfather and Uncle?  So this is what happened.

Right around the time I graduated high school I went down to Tower Records and Video near Soho, Manhattan and bought every Bond film to date up to Diamonds are Forever on Videocassette. When I got home I popped in “Dr. No” first and that was the beginning of a fruitful and long relationship with Sean Connery as the baddest spy to have ever walked this planet. “Dr. No” was amazing, but I was left wondering how they made “Moonraker.”  Dr. No was produced by Cubby Broccoli and Harry Saltzman back in the early 1960s and it was after they saw Connery in “Darby O’Gill and the Little People” that they knew they had someone who could pull off their version of the hard- nosed, all business agent. But Connery brought more to the table than that. He had danger and threat lurking just behind those studly Scottish lips.

Swiss actress Ursula Andress, who was cast after being seen in a photograph just two weeks before shooting began, is my very first Bond girl. Who will ever live up to that walking out of the water onto the beach scene?  NO ONE!  And She can act, too!  I must, in all honestly,  say that Joseph Wiseman out-acts just about everyone in this film as the evil megalomaniac Dr. No who is involved in appropriate evil Cold War hi-jinks with that grand-poobah of evil global organizations S.P.E.C.T.R.E. Wiseman is chilly, dangerous and very aloof and that makes him very evil and believable. This film is just all around a must see Bond film and a must-own for spy film enthusiasts. Connery is just stunning to behold as he swaggers and assassinates his way through this very economical spy thriller. Now if only I can sell off all those Bond videocassettes…

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